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LEGENDS 2011. JEFF ANDREWS
Jeff Andrews
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Internationally celebrated interior designer Jeff Andrews creates sophisticated and livable interiors for families and celebrities alike. Prior to founding the Los Angeles based firm Jeff Andrews Design over a decade ago, Jeff's background as an innovative, well-regarded choreographer paved the way for his creative approach to interior design. His keen eye for color, texture, finish, lighting and proportion enable him to create beautifully composed spaces with balance, movement and a voice. Jeff is skilled at pushing creative boundaries in ways that respect and redefine traditional design aesthetics. He has the ability to visualize and interpret the needs of a diverse range of clients, including celebrities Ryan Seacrest, Michael C. Hall, Lamar and Khloe Odom, Bruce and Kris Jenner and Kourtney Kardashian.

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In an effort to give you a sneak peek into the highly anticipated window displays at LEGENDS OF LA CIENEGA 2011: CELEBRATE ART, we asked the Legends designers to share the inspiring thoughts and aesthetics behind their Legends window in the La Cienega Design Quarter. "The Legends Style Sheet" sponsored by Jean de Merry, presents a series of fun and unconventional interviews with our participating window display designers.

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JEFF ANDREWS
INSPIRED BY MAN RAY
AT JEAN DE MERRY

Man Ray (1890-1976), was an American artist who lived most of his life in Paris. Perhaos best described simply as a modernist, he was a significant contributor to both the Dada and Surrealist movements, although his ties to each were informal. Best known in the art world for his avant garde photography, Man Ray produced major works in a variety of media and considered himself a painter above all. He was also a renowned fashion and portrait photographer. He is noted for his photographs, which he renamed “rayographs” after himself.

In 1999, ARTnews magazine named him one of the 25 most influential artists of the 20th century, citing his groundbreaking photography as well as “his explorations of film, painting, collage, assemblage, and prototypes of what would eventually be called performance art and conceptual art”. From 1940-1951 he lived in Los Angeles but returned to Montparnasse, his “home”. “I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence”.

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